Western Power

Geronimo
12 x 34” Epson K3 pigment print on Crane Portfolio Rag
“As we enter a new millennium, unlimited power appears to be an inalienable right. After all, without it we would not have water, lighting, heating, transportation of consumer goods. Our communication system depends upon it. Our entertainment requires it. Medical care demands it. This dependency is a recent phenomenon in human culture. Yet, we take power generation for granted and pay little attention to how it is generated and distributed. Even less do we consider how we are to sustain our ever-growing need for more and more energy.” — Joan Myers

Hoover Dam (hydro-electric), Nevada-Arizona, 1999
12 x 34” Epson K3 pigment print on Crane Portfolio Rag
“In earlier centuries, power came from above. We prayed to the heavens for good health and the strength to make use of the muscle power we possessed. Now power comes from below. We pay others to extract non-renewable resources and to generate electricity. The power plant has become a necessary mediator between out desires and their realization, much as the cathedral was the intermediary between god and man in the Middle Ages.” — Joan Myers

Palo Verde Nuclear Power Plant Arizona, 1999
12 x 34” Epson K3 pigment print on Crane Portfolio Rag
“What are the consequences for future generations of obtaining most of our energy from non-renewable resources? What options do we have to meet the growing need for power worldwide? As I traveled around the American West and Hawaii, I visited generating plants fueled by uranium, oil or gas, coal, water, solar, wind and geothermal energy. The discrepancy is stark between the considerable funding for extracted resources such as coal, oil and gas or uranium and the minimal attention given to renewable resources.” — Joan Myers

Solar troughs, near Barstow, California
12 x 34” Epson K3 pigment print on Crane Portfolio Rag
“With my camera, I wanted to make visible the power that has changed our world forever. If we believe that the technology we depend on should be available to future millennia, we need to consider well how we are to obtain the energy necessary to sustain it.” — Joan Myers

Windmill Rainbow
12 x 34” Epson K3 pigment print on Crane Portfolio Rag
“Women to Watch” at the National Museum of Women in the Arts, Washington, D.C. March 14-June 15, 2008 featured these images – “visitors …(were) introduced to contemporary photographers whose work reflects the myriad ways in which the media is used today. These include Myers’ panoramic images of generators and power sources, which address the industrialization’s profound impact on the environment.”